From Wikipedia, the free encyclopedia. Victoria Legrand.
Vocals keyboards piano guitar bass. Main article: Beach House. Seattle Times. Seattle, Washington. April 29, Retrieved October 9, Riverfront Times. Retrieved October 10, Vassar College. Retrieved December 23, Andy Cohn. Village Voice. Retrieved May 20, Fnac in French. Pitchfork Media. You feel it when your body's changing, but your spirit expands.
It doesn't really matter what your hair looks like — it's about your ideas, your thoughts, and the sound of your voice. Are you a kind person? Are you open? Your body's gonna shut down, but your mind is gonna go as far as possible. That's so far out, and I love it. Bring it on, deterioration!
When it comes to your creative dynamic between the two of you, what works and what doesn't? Tension isn't negative — it's a physical thing that occurs. It's in nature, and it's all around us. We're lucky that we found each other in this lifetime, because we're complimentary. When we've butted heads in the past, something's always happened as a result. SCALLY: Cosmically and artistically, we've always been fascinated by this dual energy field that exists between joy and sorrow. The profound joy that comes with a terrible experience.
I know that sounds really weird, but it's always been at the center of our work. We feel it more vitally than ever now. The idea of a simple, happy song is such bullshit to me. Real life's got a lot more cracks in it. The notion of finding joy in trauma seems relevant to our current social climate. Did any current events seep their way into the songwriting? There's always been an insanity. If you were to time travel and ask a teenager in or , "How does it feel?
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I don't even know if the world's gonna be here tomorrow — the President's insane, there's wars and murders. You guys have grown in popularity pretty steadily over the past twelve years. Have there been any drawbacks to that? It's never awkward, it's extremely humbling and very beautiful. We don't know how music grows when we're not doing anything.
How are people discovering us? It's kind of a miracle. There were times where we were getting more popular and our image felt beyond our control, and we resisted that. LEGRAND: There were a brief few moments — almost ten years ago — where there was more success than we were used to, and we didn't feel like we deserved it. We were like, "People shouldn't be taking this many pictures of us — it feels unnatural.
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We're comfortable playing big venues because it's fun as hell. The Weeknd sampled you , too. We had an agreement that the day he started selling those mixtapes was the day he'd start to pay, so it all worked out in the end. Some of the bands who came up around your time in the s are seen as weirdly unfashionable now, even though they still have retained a solid fanbase.
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It seems like you guys have avoided being tagged similarly, though. How aware do you consider yourselves about the changing state of indie? If a band disappears for two years now, it might feel like five years to a fan. They might forget more easily now — maybe there's a merciless tinge to it. If you disappear for too long, people will just be like, "Who are you?
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Metacritic Reviews. Photo Gallery. Trailers and Videos. When I think of Michel, I think of him as being one of the three great composers for film who had tremendous gifts for melody, the other two being Henry Mancini and Johnny Mandel. When I was Exec. A huge success, with one very special guest in the house, Quincy Jones, a great friend for whom Michel stopped the show for to express his love and admiration.
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